Music and Language Revisited
Riferimenti bibliografici
Agamben, Giorgio (2018), What is Philosophy?, Stanford UP, Stanford.
Abbate, Carolyn (2004), «Music—Drastic or Gnostic?», in Critical Inquiry, 30 (3), pp. 505-536.
Bergmann, Gustav (1953), «Logical Positivism, Language, and the Reconstruction of Metaphysics», in Rivista Critica di Storia della Filosofia, 7, pp. 453-481.
Berio, Luciano (2006), Remembering the Future, Harvard University Press, Cambridge-London.
Boretz, Benjamin ([1978] 2003), «Language, as a Music: Six Marginal Pretexts for Composition: Thesis», in Being About Music: Textworks 1960-2003, Vol. 2, Open Space, Red Hook (NY), pp. 1-17.
Bryant, Levi (2011), The Democracy of Objects, Open Humanities Press, Ann Arbor (MI).
Deleuze, Gilles, Guattari, Félix (1980), Mille Plateaux. Capitalisme et schizophrénie, Les Éditions de Minuit, Paris.
Deleuze, Gilles, Parnet, Claire (1987), Dialogues, The Althlone Press, New York.
Derrida, Jacques (1967), De la grammatologie, Les Éditions de Minuit, Paris.
Feld, Steven, Fox, Aaron (1994), «Music and Language», in Annual Review of Anthropology, 23, pp. 25-53.
Foucault, Michel (1969), L’archéologie du savoir, Éditions Gallimard, Paris.
Gallagher, Shaun (2016), Enactivist Cognition, Duke University Press, Durham (NC).
Harman, Graham (2002), Tool-Being: Heidegger and the Metaphysics of Objects, Open Court, Peru (IL).
Harman, Graham (2019), Speculative Realism: An Introduction, Polity, Cambridge.
Jakobson, Roman ([1932] 1987), «Musicology and Linguistics», in Language and Literature, ed. Krystyna Pomorska and Stephen Rudy, The Belknap Press, Cambridge (MA), pp. 455-457.
Jankélévitch, Vladimir (2003), Music and the Ineffable, trans. Carolyn Abbate, Princeton University Press, Princeton (NJ).
Kerman, Joseph (1985), Contemplating Music: Challenges to Musicology, Harvard University Press, Cambridge (MA).
Leman, Marc (2007), Embodied music cognition and mediation technology, The MIT Press, Cambridge (MA).
Lerdhal, Fred, Jackendoff, Ray (1983), A Generative Theory of Tonal Music, MIT Press, Cambridge (MA).
Lochhead, Judy (2016), Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis, Routledge, New York.
Mailman, Joshua Banks (2016), «Cybernetic Phenomenology of Music, Embodied Speculative Realism, and Aesthetics-Driven Techné for Spontaneous Audio-Visual Expression», in Perspectives of New Music, 54 (1), pp. 5-95.
Massumi, Brian (2002), Parables for the Virtual: Movement, Affect, Sensation, Duke University Press, Durham (NC).
Meillassoux, Quentin (2006), Après la Finitude: Essai sur la nécessité de la contingence, Seuil, Paris.
Nattiez, Jean-Jacques (1975), Fondements d’une sémiologie de la musique, Union Générale d’Editions, Paris.
Parkhurst, Bryan (2017), «Formal Arguments and Symbolic Gestures : Thoughts on Langer and Adorno, with a Postscript on Marxism», in Theory and Practice, 42, pp. 161-197.
Patel, Aniruddh D. (2008), Music, Language, and the Brain, Oxford University Press, Oxford.
Randall, James K. ([1972] 1995), Compose Yourself: A Manual for the Young, Open Space, Red Hook (NY).
Rorty, Richard (ed.) (1967), The Linguistic Turn: Essays in Philosophical Method, The University of Chicago Press, Chicago.
Ruwet, Nicholas (1966), «Méthodes d’analyse en musicologie», in Revue Belge de Musicologie, 20, pp. 65-90.
Scott, Joan W. (1987), «On Language, Gender, and Working-Class History», in International Labor and Working-Class History, 31, pp. 1-13.
Abbate, Carolyn (2004), «Music—Drastic or Gnostic?», in Critical Inquiry, 30 (3), pp. 505-536.
Bergmann, Gustav (1953), «Logical Positivism, Language, and the Reconstruction of Metaphysics», in Rivista Critica di Storia della Filosofia, 7, pp. 453-481.
Berio, Luciano (2006), Remembering the Future, Harvard University Press, Cambridge-London.
Boretz, Benjamin ([1978] 2003), «Language, as a Music: Six Marginal Pretexts for Composition: Thesis», in Being About Music: Textworks 1960-2003, Vol. 2, Open Space, Red Hook (NY), pp. 1-17.
Bryant, Levi (2011), The Democracy of Objects, Open Humanities Press, Ann Arbor (MI).
Deleuze, Gilles, Guattari, Félix (1980), Mille Plateaux. Capitalisme et schizophrénie, Les Éditions de Minuit, Paris.
Deleuze, Gilles, Parnet, Claire (1987), Dialogues, The Althlone Press, New York.
Derrida, Jacques (1967), De la grammatologie, Les Éditions de Minuit, Paris.
Feld, Steven, Fox, Aaron (1994), «Music and Language», in Annual Review of Anthropology, 23, pp. 25-53.
Foucault, Michel (1969), L’archéologie du savoir, Éditions Gallimard, Paris.
Gallagher, Shaun (2016), Enactivist Cognition, Duke University Press, Durham (NC).
Harman, Graham (2002), Tool-Being: Heidegger and the Metaphysics of Objects, Open Court, Peru (IL).
Harman, Graham (2019), Speculative Realism: An Introduction, Polity, Cambridge.
Jakobson, Roman ([1932] 1987), «Musicology and Linguistics», in Language and Literature, ed. Krystyna Pomorska and Stephen Rudy, The Belknap Press, Cambridge (MA), pp. 455-457.
Jankélévitch, Vladimir (2003), Music and the Ineffable, trans. Carolyn Abbate, Princeton University Press, Princeton (NJ).
Kerman, Joseph (1985), Contemplating Music: Challenges to Musicology, Harvard University Press, Cambridge (MA).
Leman, Marc (2007), Embodied music cognition and mediation technology, The MIT Press, Cambridge (MA).
Lerdhal, Fred, Jackendoff, Ray (1983), A Generative Theory of Tonal Music, MIT Press, Cambridge (MA).
Lochhead, Judy (2016), Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis, Routledge, New York.
Mailman, Joshua Banks (2016), «Cybernetic Phenomenology of Music, Embodied Speculative Realism, and Aesthetics-Driven Techné for Spontaneous Audio-Visual Expression», in Perspectives of New Music, 54 (1), pp. 5-95.
Massumi, Brian (2002), Parables for the Virtual: Movement, Affect, Sensation, Duke University Press, Durham (NC).
Meillassoux, Quentin (2006), Après la Finitude: Essai sur la nécessité de la contingence, Seuil, Paris.
Nattiez, Jean-Jacques (1975), Fondements d’une sémiologie de la musique, Union Générale d’Editions, Paris.
Parkhurst, Bryan (2017), «Formal Arguments and Symbolic Gestures : Thoughts on Langer and Adorno, with a Postscript on Marxism», in Theory and Practice, 42, pp. 161-197.
Patel, Aniruddh D. (2008), Music, Language, and the Brain, Oxford University Press, Oxford.
Randall, James K. ([1972] 1995), Compose Yourself: A Manual for the Young, Open Space, Red Hook (NY).
Rorty, Richard (ed.) (1967), The Linguistic Turn: Essays in Philosophical Method, The University of Chicago Press, Chicago.
Ruwet, Nicholas (1966), «Méthodes d’analyse en musicologie», in Revue Belge de Musicologie, 20, pp. 65-90.
Scott, Joan W. (1987), «On Language, Gender, and Working-Class History», in International Labor and Working-Class History, 31, pp. 1-13.
Pubblicato
2020-12-19
Come citare
Oliva, S. e Stover, C. (2020) «Music and Language Revisited», Rivista Italiana di Filosofia del Linguaggio, 14(1). doi: 10.4396/20201INTR.
Sezione
Introduction
Copyright (c) 2020 Stefano Oliva, Chris Stover
Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.
Quest'opera è distribuita con Licenza Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
